Tuesday, October 15, 2019
Extended concert review example Essay Example | Topics and Well Written Essays - 1000 words
Extended concert review example - Essay Example The concert I attended was at the Colorado State University School of the Arts. The concert was held at the Griffin Concert Hall, University Center for the Arts on Tuesday, November 15th, 2011. There were a wide variety of performers featured. The ââ¬ËInvitationââ¬â¢ was performed by Dan Kramer on the alto saxophone, Kyle Stand on piano, and Devin Arter on trumpet. The ââ¬ËBlues in Hoss Flatââ¬â¢ was performed by Alex Buehler on trombone, Dan Kramer on alto saxophone, Kirk Bakalis on tenor saxophone, and Devin Arter on trumpet. ââ¬ËSomeone to Watch Over Meââ¬â¢ was performed by Kirk Bakalis on tenor saxophone. ââ¬ËCollectivateââ¬â¢ was performed by Calli Dodd on alto saxophone, Dan Yolles on guitar, Kaelin McDonald on trombone, Luke Rose on drums, and Evan Gohring on bass. ââ¬ËRain Delayââ¬â¢ was performed by Conor Sims on tenor saxophone and Andrew Deem on trombone. There were a number of jazz styles performed in the concert. The first song played was ââ¬ËInvitationââ¬â¢. This is a song that was composed by Bronislaw Kaper and Paul Francis Webster and was first featured on Bill Evansââ¬â¢ ââ¬ËIntuitionââ¬â¢ album. This song has been labeled post-bop as well as mainstream jazz. This song was highly enjoyable. In large part the improvisation was carried by the trumpet and fit seamlessly into the set. While much bop and experimental jazz can be trying on the listener, itââ¬â¢s clear that this is a much smoother variety of jazz. Even as it was originally written in the 70s the song has much in common with Miles Davisââ¬â¢ Kind of Blue album in that it seamlessly melds smooth jazz melodies and rhythms with a multitude of instrumentation and movements. While the improvisation is an essential element it is not presented in a way that self-aggrandizes the player, but is instead placed into the song as a means of enhancing its tonal qualities. The song is generally upbeat and consistent in tone with a number of breakdowns that puncture the style, because concluding the work song. After ââ¬ËInvitationââ¬â¢ was completed there was a spoken introduction by the bandleader. The ensemble then launched into ââ¬ËBlues in Hoss Flat.ââ¬â¢ This song was originally composed by Count Basie for his Chairman of the Board album and was later used by Jerry Lee Lewis. This song was perhaps more differentiated than the previous song and the improvisation more pronounced. In these regards, the song begins with a very noticeable and catchy melody that is cyclical throughout the song. This melody is punctured by down-turns in the track that open the way for improvisation from the trombone and alto saxophone players. While the previous track had seamlessly fit the improvisational elements into the melody, on this track they stand out more prominently. In terms of style the song exhibits a Big Band and swing style. The ne xt track performed at the concert was ââ¬ËSomeone to Watch Over Meââ¬â¢. This song was originally composed by George and Irwin Gershwin. This song marks a strong shift in the concert. While the previous tracks had contained upbeat melodies, this track was decidedly somber and reflective. In terms of jazz style it clearly implemented mainstream jazz elements. There was minimal improvisation on this song, surely reflective of the origination of the song as emerging from a Broadway musical. In terms of sonic qualities the track is highly reliant on the tenor saxophone that plays a low key and somber melody. It is perhaps the most poignant part of the night as it perfectly balances the upbeat opening and the fantastic conclusion. ââ¬Ë
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